As hard as i try – RUSH-HOUR Battle Camp – RUSH-HOUR Can’t explain – RUSH-HOUR Crazy – RUSH-HOUR Dirty little Girl – RUSH-HOUR Drive – RUSH-HOUR Empty Eyes – RUSH-HOUR Feeling save – RUSH-HOUR Fucking pig – RUSH-HOUR You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. Rush Hour 2 (2001) Soundtracks. All Songs how played... Titel – Interpret. Patchwork also opens a more immersive listening space in which the radical indie soul of Georgia Anne Muldrow, the ambient spiritual jazz of bandleader Carlos Niño & Friends, and the lament for the Amazon rainforest by Azymuth’s drummer Ivan Conti can channel the overall spirit of group interplay and solidarity. LEAVE A COMMENT. Patchwork captures a sound that has continued to evolve in its restless search for new musical directions. The B-side get’s a heavy remix by Masalo.

1. A compilation of 12 Cape Verdean gems assembled with the help and knowledge of Americo Brito, there is a very special story behind it. For the past fourteen years Sassy J has run the Patchwork night in her native Bern and in London, with guests ranging from Theo Parrish and Little Dragon to Floating Points and MF Doom invited to share their respective musical visions. Insanlar’s first release catapulted them on to the international stage, where their idiosyncratic mixture of traditional Anatolian/Mesopotamian instrumentation, electronic music and spiritual/philosophical lyrics continue to captivate festival audiences.The musical excursions of the group go into uncharted territories rather than towards an end goal, melting traditional songs in their music as divine inspiration, while entering places one didn’t know existed. Can I Get A... (From The Rush Hour Soundtrack) - Jay Z, Amil, Ja Rule, 5. Double sider 12″ including the bubblegum club track ”Let’s Make a Deal” by Linda “Babe” Majika, which was originally released on the rare ‘Don’t Treat Me So Bad’ lp in South-Africa, 1988. *Limited gatefold edition of 500 copies, including bonus 7″ (Carlos Niño & Friends, Ivan ‘Mamão’ Conti and WaH-ChU-KU)*Rush Hour announces their second artist compilation Patchwork, curated by one of the label’s most loved family members, Sassy J. 2. Listen to trailer music, OST, original score, and the full list of popular songs in the film. However, this session resulted in a long magical instrumental folk hymn, that is surprising and captivating at the same time. Out on January 24, 2020! While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. Insanlar’s recorded version of ‘Demedim Mi’ was initially meant to become a traditional Alewi ‘deyiş’ song, with lyrics. He sings about the rushed pace the city takes on once 5 o'clock hits and everyone begins heading home from work. Across thirteen tracks we find forward thinking electronic music rubbing elbows with cosmic jazz and deep percussion workouts from Brazil and beyond.There are irresistible calls to the dancefloor: 2000 Black’s UK boogie and the syncopated rhythms of WaH-chU-kU nod to the West London sound, whilst the early rave of Nu Era and Aardvarck’s sub-rattling techno channel the grittier edges of the club experience.

However, this session resulted in a long magical instrumental folk hymn, that is surprising and captivating at the same time. Never Touch A Black Man's Radio (Skit / From The Rush Hour Soundtrack) - Chris Tucker, 2. Song Tucker dances to after taking down Clive (guy with the C4) 2. On the flip, you’ll find the deep late-night saxophone driven tune ”Step Out Of My Life” which includes Don Laka on the keyboard and is produced by Ray Phiri, who also founded the popular South African group ‘Stimela’. The 12-inch single featured an extended remix by Rusty Garner and an instrumental version. Paul. Their techno folk hybrid is rooted firmly in Anatolian/Alewi religious poetry, their energetic, almost punkish attitude has created a mystic following around the bands early shows. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”.

We find machine music imbued with humanity in Larry Heard’s deep house classic “Survivor” and in Ron Trent’s WARM project, whose gentle breeze points to a different side of the legendary producer. Rush Hour. This compilation grows out that unique sensitivity, foregrounding a theory of curation that centres on long-term bonds, articulated through Sassy J’s personal relationships with the contributing artists.Patchwork speaks to the grass roots values that Sassy J espouses, showcasing music by many of the artists that have joined her throughout the years in clubs, on the radio, and at home.


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