brian blade interview

brian blade interview


Interview: Brian Blade - Blue Note Records February 5, 2013 After 43 years, saxophonist Wayne Shorter has returned to the Blue Note roster. Sometimes I write and suddenly I’m hearing words, and I just let it unfold. I want the music to project that kind of togetherness. We’re hopefully going to make another record of that trio. I was so glad to have the challenge of playing standards.

Brian Blade in Aarhus, Denmark 2017 Blade was born and raised in Shreveport, Louisiana . I mean, you can, but there’s some completion, a fullness that has to come from you releasing it.

“Billy Childs Reveals the Influences on His Album Exclusive Interview - Brian Blade. "There is a lot of give and take in our music. Wikimedia Commons has media related to Brian Blade. This ideal of fellowship is something I grew up with. It was quite thick. Short songs can speak with the same power as long tunes. January 22, 2009 • Brian Blade, a reed of a man, sits up straight at his drums, lifting a shoulder. Jon Cowherd’s songs for this record, “Season of Changes” and “Return of the Prodigal Son,” we’re still playing that music and still digging into it.
Nurtured under the watchful eyes of Ellis Marsalis and New Orleans Dixie-drum masters Johnny Vidacovich and Herlin Riley, Blade learned to find his 'knit in the blanket' of sounds and styles. Bob is looking for the mystery to reveal itself too. If you can’t hear what Dylan’s saying, something’s not right [Wolfgang and I made several trio recordings with [bassist] Marc Johnson, and we were in New York around the same time, but we first met at a school in Denmark and became fast friends playing Beatles songs at night. And maybe later we’ll do something else.

We’re not waiting for, “Oh yeah, let’s put it down and we’ll fix it later in the mix.” No, no, no. Because he has a high regard for songs. Drummer is one of the freshest voices in 21st century jazz because of his non-elitist, all-inclusive approach. The first music he experienced was gospel and songs of praise at the Zion Baptist Church where his father, Brady L. Blade, Sr., has been the pastor for fifty-two years. We felt a kinship, an ability to make music without having to think, “Oh, what’s my role in this play?” Daniel doesn’t like to work behind the glass. So you can’t keep this on your tape machine at home and not share it with other people. “I think it’s great!” [I wouldn’t say I changed my approach playing with Bob, but something different happens when you have words being sung.
I want the music to project that kind of togetherness. You have to be present, and you really have to get inside of his melodic line, which is simultaneously horizontal and vertical. Jim Keltner and I played together the whole time, he was 10 feet away from me. I make that adjustment to make sure that nothing is being eclipsed. A lot of songs become more story- or memory-oriented, and I knew I needed to acknowledge this part of who I am too and put it down. (Washington Blade photo by Michael Key) Gay Pennsylvania State Rep. Brian Sims (D … Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. We felt kindred. Brian Blade at AllMusic; Brian Blade discography at Discogs; on YouTube; on YouTube - interview at the North Sea Jazz Festival, 2015; on YouTube - performing "King's Highway" This page was last edited on 27 August 2020, at 00:37 (UTC). Everybody wants to feel it and you want the music to be powerful, but at what expense?

We are presenting them live on WBGO and NPR Music, tomorrow night at 9pm. Think of what Charlie Parker said in 8 bars!


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brian blade interview 2020