Ye Ishq Hai

Lohari wants to take revenge on her family for killing her husband. Great job.

He wants her to leave the house. It ended with Shyam Sundar hugging both Simran and Rajveer and saying that she was the best daughter in law anyone would ever get! Glad you liked the post!I submitted this message several days ago, but it disappeared into hyperspace I suspect due to the weblinks I had attached. It’s part of why Urdu-Hindi is such a complex, beautiful and absolutely fascinating language. Also, “Haaye ban ban Doli Janak dulaari, Pehenke prem ki maalaa” should be “the darling daughter of King Janak (Sita) wandered in the forests wearing a garland of love (due to her love)”. Glad you enjoyed the blog and love Hindi films as much as us!OMG! And the last verse is just out of this world. Glad you’re enjoying our blog and stay tuned for our translation of poetry in Mughal-e-Azam coming up soon!i am completely bowled over by your passion for writing , translating and brining to life the SPIRIT of this great quawwali. When the family got to know about that they wanted Simran and Rajveer to return except for Shyam Sundar. I’ve now omitted these so hopefully my message should appear…I had promised to return and post a supplementary comment but reneged on the deal due to my absentmindedness. Happy to have found a new fan and stay tuned for new posts!You are right in saying that this is the mother of all qawwalis or so I feel as well.

Three months pass and Rajveer is depressed because he blames himself for Simran's death, but also perceives that she is near, but is unable to see her. Divya Khosla Kumar - … When their marriage is coming Rajveer has a weird feeling about his fiancée, but still marries her.

Thanks to the user Syed who gave the meaning for that too. She has written many stories and has large number of . Wish you both a very happy married life.Great explanation of this superb qawwali. After that, Lohari wants Simran to stay away from Rajveer. And indeed, some of the lines may be interpreted in many ways. The qawwali is one of our favorite genres so stay tuned for more!What a stunningly beautiful and tragic song. The song indeed transcends all religious and material loyalties, bringing the audience a dazzling, other-wordly experience. Logically, as His creation we too are compelled to be in love – in whichever form – in a deterministic manner.Conversely, translation rarely if ever can give a precise definition of the original text but if we translate and read each line in isolation the problem is exponentially compounded and the original message becomes terribly confused. I hope I don’t come across as an arrogant person. He /she has transferred the meaning, soul and spirit of lyrics as well as portrayal and performance of artists, Director, dance master , choreographer, camera, editor… whole team .Who is the translator?Fill in your details below or click an icon to log in: This final point now ties all these concepts together and proclaims that God too loves; indeed, He loves His creation. Thank you.Hats off to your dedication and in depth knowledge and passion about the song!!! I learned so MUCH especially from the Shama-Mehfil line. This is a wonderful forum you have created. Which literally translates into rope (rasan) and gallows (daar), but figuratively used to mean great difficulties, some kind of an unassailable barrier, kind of. Translations of song inevitably lose some of the flavor, but we do our best to keep the meanings and intentions the same!This is probably my most favorite qawaali. Rajveer's father, who knows who Simran really is, assists her in marrying to Rajveer. Another admirable quality of your blog is your willingness to incorporate suggestions and make the translation more and more accurate.To that end, I would also like to offer a few comments for your consideration:1) Vehshat-e-dil rasn-o-daar se roki na gayi: I think here, vehshat-e-dil (madness of the heart) refers to the craziness of love itself. However, for a fastidious poet like Sahir, we thought it unlikely that he would use the technically incorrect “[aap] kehte hai.N” to refer to a woman instead of “[aap] kehtii hai.N” in which the subject and verb agree in gender. beloved, parental and fraternal) is fundamentally love for the Creator. In the first couple of episodes, each family is depicted. Regards.No, you are right…its, ‘..intehaa yeh hai ki bande ko khuda karta hai ishq’ loved the whole experience. I posit this is further qualified by the next sentence which alludes to the devotion of the Sheikh and the Brahmin to their article of faith; a “thunderous proclamation” as you wonderfully state, that Ishq is not at all sinful.

This was by far one of the most difficult translations we had ever done, both because of the complexity of the Urdu, but also because of its rich references to outside literature and folklore. We have chosen to translate the line “naaz-o-andaaz” as a reference to society rather than a female lover for thematic continuity as well as grammatical accuracy–the verb “kehte hai.N” implies the plurality of society versus “kehti hai.N” for a single woman of adoration.